|
|
|
100 signed and numbered giclee prints on heavy stock Image size 7” x 13” (other sizes available on request).
This imaginary view of the 1973 United States Grand Prix at Watkins Glen looks south from Turn 11 towards Turn 8. Niki Lauda’s Ferrari can be seen at left center. James Hunt’s March-Ford and Ronnie Petersen’s race winning Lotus-Ford are to the right. Watkins Glen’s infamous and capricious Bog occupies the middle ground with a burning car and another being pushed in. References to other capricious activities in art history can be found. Giorgione’s Renaissance “Pastoral Concert” is at left while state troopers are poised to break up Eduard Manet’s famous “Luncheon on the Grass”.
$55 shipped
in tube $140 matted, framed, and shipped
|
|
100 signed and numbered giclee prints on heavy stock Image size 7” x 20” (other sizes available on request).
This birds-eye view shows a practice session for the last 1 ½ liter Formula One race at Watkins Glen. Graham Hill’s orange-snouted BRM can be seen crossing the Start-Finish line followed by Jim Clark’s Lotus-Climax, Lorenzo Bandini’s Ferrari, and Richie Ginther’s Honda. Long-time Watkins Glen fans will recognize the Kendall Tower and old pits on the left as well as Fast Bend in the foreground and the chicane on the far right.
$55 shipped
in tube $140 matted, framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image
9 1/2" x 13”
Porsche 962s dominated IMSA racing at the Glen for several years in
the mid- 80’s. An unusual perspective shows the very successful Al
Holbert/ Derek Bell Lowenbrau 962 being chased by Bob Akin’s car
through the downhill entry to the Boot.
$60 shipped
in tube $160 matted, framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size approx. 9 1/2” x 13”
Tex Hopkins in his faded lavender suit waves the green flag to a
colorful field. Shown left to right: Jochen Rindt ( Lotus-Ford),
Jackie Stewart ( Matra-Ford), Denny Hulme ( McLaren), and Graham
Hill (Lotus-Ford). Rindt scored his first Grand Prix victory against
a scenic backdrop of Fall colors.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size approx. 10 1/4” x 12 3/4”
The popular movie star and his mechanic Rolf Wutherich depart after
gassing up at Blackwell’s Corner in Lost Hills, California on
September 30, 1955, on their way to a race in Salinas.The original
painting was commissioned by Blackwell’s Corner in 2000.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size approx. 10 1/4” x 12 3/4"
Car-watching and people-watching can be equally entertaining. In a
whimsical parody, the three central figures of Edouard Manet’s 1863
famous painting “Le dejeuner sur l’herbe” have been lifted in time
and transported to the Boot in 1972 to enjoy the festivities. In the
background is Jackie Stewart’s winning Tyrrell. Manet would
certainly approve of this recycling of his imagery.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size 10 1/4” x 12 3/4”
The New Brunswick driver Charles Foster supplied an excellent
resource photo for this acrylic painting of his Formula Ford. The
complimentary colors of red and green add visual excitement to the
sensation of speed as Foster negotiates Turn 10.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size 10 1/4” x 12 3/4”
A Lotus Elite and MG demonstrate the dramatic contrast in styling
common in Vintage racing. Line, wash, and airbrush effects were used
in this ink sketch. It was inspired by a photo taken by the artist.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size 10 1/4” x 12 3/4”
The recently-completed 2.4 mile short course was used for the
inaugural 6- Hour Race. Ronnie Peterson and Andrea DeAdamich took a
surprising victory in this race in the small Autodelta Alfa Romeo.
They outlasted the Ferraris and beat the Gulf Porsches by two laps.
( from Watkins Glen: Griswold to Gordon). This scene shows a
practice session amid signs of the recent roadwork.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size 10 1/4” x 12 3/4”
While walking through the pits during a practice session for the
1979 U.S. Grand Prix, the artist came across the “ Monza Gorilla”
preparing to depart in his Alfa Romeo. It was a beautiful car
uncluttered by lettering and logos. If Grands Prix were won on
looks, this car should have taken the trophy. Unfortunately,
Brambilla failed to qualify for the race.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size 10” x 13”
The artist recalls watching Rindt’s debut at Watkins Glen in an
uncompetitive Cooper.
It was obvious that the young Austrian had great natural ability as
he got much more out of the car than could be expected. When Rindt
finally got a contract with Colin Chapman’s Team Lotus, expectations
were high, and nobody was disappointed. He won in 1969 at the Glen
in the colorful red and gold Lotus 49. He was tragically killed the
following year at Monza, becoming the only driver to win the World
Championship posthumously. The artist has tried to capture the
excitement and speed of one of his favorite drivers.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size 10” x 13”
Five-time World Champion J.M. Fangio won the first crown of his
Formula 1 career behind the wheel of an Alfa Romeo Type 158 as shown
here. This multi-media pencil and acrylic piece was done by the
artist in 1972. Instead of showing speed or location, Gillespie
chose to depict Fangio as an icon, admired by all, the acknowledged
master of Grand Prix racing.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size 10” x 13”
This painting was done from a request by Otto, who is a personal
friend and dear to all in the Watkins Glen racing community. The
print shows the young Austrian in front of the Seneca Lodge before
his first Watkins Glen race in 1948. M.G. only made a few
super-charged J-4s and Linton’s was the fastest, having a larger,
American unit mounted behind the custom-welded “MG” bumper which he
constructed.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size 10” x 13”
In 1979, Jan Lammers drove this colorful Formula 1 for the Samson
Shadow Racing Team. Although he failed to qualify for the Grand prix
of the United States, the artist recalls walking though the pits
during the Friday practice session and getting this up-close view as
the car’s handling was being discussed by Lammers and the crew. To a
painter, the subject is almost irresistible because this is one of
the most visually entertaining Grand Prix cars ever. There have been
many unsung heroes who never made the race for a variety of reasons.
So it was with Lammers and his modern Circus Wagon. The Dutch driver
eventually made his name in endurance racing, switching cats : from
a lion to a Jaguar!
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size 10” x 13”
This 3.0 liter car, co-driven by Sam Posey and Brian Redman is shown in the steep uphill segment of the Watkins Glen circuit just before entering the ESSES. In the rain-plagued 1975 Six Hour race, it finished sixth overall and first in Group 2.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
Image size 10” x 13”
Hal Keck wheels his Cobra 427 into the 90 under a hot August sun in
the 1965 Watkins Glen 500 miles race followed by .the # 18 Cobra
co-driven by Sidney Finkel, Ed Lowther, and Bob Nagel. Keck and
Oscar Koveleski took the checkered flag after more than 5 hours. The
number 88 car won 9 races that year and won the SCCA championship.
Jim Danzer was the mechanic. Hal also co-drove the Cobra Daytona
coupe in 1965, taking a first in the GT class at the 24 Hours of
Daytona. The following year, the Glen 500 was shortened to a 500
Kilometer race. Koveleski went on to win the SCCA National
Championship in 1969 .
The first several big block cars
Carroll Shelby made were full race cars, and this one was chassis #
CSX 3008. While most of the cars stayed with Shelby or went to
larger teams, Keck’s was privately owned.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered gicle prints on heavy stock
image size 10” x 13”
The Watkins Glen Six Hours Race included the Trans-Am for the first
time, and would be incorporated in the long race through 1980.
Hurley Haywood and Peter Gregg won the Trans-Am segment in the
Brumos Porsche Carerra. They finished 3rd overall, and received
double points for the victory.
---from “Griswold to Gordon” by J.J. O’Malley and Bill Green
Painted from photo courtesy of Ade Ketchum
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10" X 13"
Quick pit work proved crucial as Villeneuve gave Ferrari its second
consecutive victory in the U.S. Grand Prix. He lost the engine
during the morning warm-up but charged into the lead in the team’s
back-up Ferrari 312T4 mastering the wet racing surface. As the track
dried out, Alan Jones began to close in with the Saudia Williams
FW07. Jones took the lead when Villeneuve pitted for slick tires.
Two laps later, Jones pitted, but his stop was much slower.
Compounding this was the fact that a worker failed to securely
fasten a rear wheel, which later came off. Villeneuve then cruised
to victory.
-- from“ Griswold to Gordon” by J.J. O’Malley and Bill Green
This image is based on a photo taken by the artist during a morning
practice session.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10" X 14"
1963 marked the first year that the Ferrari Formula One team came
to Watkins Glen. The sleek 156 and 158 are shown here in the paddock
with John Surtees and Lorenzo Bandini on board. In the race,
Surtees’ Ferrari passed Graham Hill’s BRM for the lead but later
retired with engine trouble. This print captures the atmosphere of
the early U.S. Grands Prix at Watkins Glen. It was many of the G.P.
drivers favorite race weekend.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 7.5" X 10"
The sun is setting on the last few hours of the 1961 Sebring 12 hour
race. Denise McCluggage is at the wheel of her privately- entered
midnight blue Ferrari 250 GT SWB, which is shown getting the full
attention of the Team Ferrari mechanics since all the
factory-entered Ferrari GTs had dropped out of the race. The
McCluggage car won it’s class and this proved to be one of the high
points of Ms. McCluggage’s racing career.
$40 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10.25" X 12.75"
Denny Hulme’s victory in the 1970 Glen Can-Am was the most difficult
race of the New Zelander’s career. He had burned his hands at
Indianapolis in May and to compound the problem, the track was in
very poor condition. Hulme’s famous #5 M8-D is shown entering the
Esses, with the landscape behind stretching for miles. This is one
of the most scenic backdrops in the racing world.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10.25" X 12.5"
The viewer peers over the shoulder of Erwin Goldschmidt, who
speeds through the treacherous “Big Bend” on his way to victory in
the1950 Watkins Glen Grand Prix.
The cars negotiated this fast downhill sweeper at around 100 mph as
they headed into the village. In this print, rain clouds can be seen
moving in and the wet pavement would soon add another dimension to
the race.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10.25" X 12.75"
The famous driver/engineer from Texas won his second straight
USRRC race at Watkins Glen on June 17th, 1965 with an average speed
of 99 mph. The Chaparral is shown here under full throttle exiting
the 90. He and teammate Hap Sharp circulated like clockwork in an
impressive and seemingly effortless 1-2 win.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10.25" X 12.75"
After speaking with Phil Walters about the Cunningham C4-RK, I
decided to do a painting of him coming down the steep Big Bend on
the old Watkins Glen course. The number 1 indicates that this driver
had won the previous year’s Grand Prix. I was thinking about the
fact that this section would have been particularly difficult for
him. Here, Phil would have needed to use considerable engine
braking, resulting in high revs from the Chrysler V-8. Heat radiated
quickly from the firewall into the cabin as the car slowed . Cockpit
ventilation was vastly inadequate, even though two large scoops had
been adopted for this purpose. In addition, the windshield could be
tilted to let in air. To modulate this, a short “bug screen” had to
be included. The side window is also open. The result of all this
made for a unique appearance even if it was aerodynamically dirty.
Phil was nearly roasted, in spite of all the above cooling efforts!
The 1952 Watkins Glen Grand Prix was cut short and in fact, Walters
drove the C4-RK down the hill only once during the race itself.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10.25" X 12.75"
After Porsche abandoned the unsuccessful “Moby Dick” 935/78 LeMans
effort, several replicas were built by Rheinhold Joest. The Momo car
shown here was driven by Gianpiero Moretti and Bobby Rahal in the
1981 Watkins Glen Six Hour race. The radically styled car was very
popular with spectators and actually led the first hour of
competition until fuel feed problems caused its retirement.
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 14" X 16"
Lister Legends comemmorates not only the inspirational Archie
Scott-Brown, but also highlights the dominant Lister cars campaigned
in the United States by the Briggs Cunningham team. After
Scott-Brown captured numerous trophies with Brian Lister's factory
cars in the U.K. during 1956-57, Ed Crawford (#61 Knobbly), and Walt
Hansgen (#60 Costin-bodied) continued with Lister successes
throughout 1958-59. Each print is signed by Brian
Lister and Robert Gillespie.
$80 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10 1/4" X 12 3/4"
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock
image size 10 1/4" x 14"
$65 shipped in
tube
$150 matted, framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10 1/4" X 12 3/4"
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10 1/4" X 12 3/4"
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10 1/4" X 12 3/4"
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
100 signed and
numbered Gicle prints on heavy stock.
image size: 10 1/4" X 12 3/4"
$60 shipped in
tube
$150 matted , framed, and shipped
|
|
300 signed and
number lithographs
image size 16” x 20"
The old Railroad
underpass and Autumn colors provide a dramatic backdrop for this
scene of the inaugural Watkins Glen race. The painting deviated from
the original concept as drivers recommended the inclusion of others
that also participated in the 1948 event. The painting soon evolved
to become an imaginary parade lap containing Cameron Argetsinger (MGTC),
Denver Cornett (MGTC), Otto Linton (MG J-4), Haig Ksayian (MGTC),
Miles Collier (MGTC), Sam Collier (MGTC), and Bill Milliken (Bugatti
35-A). Each print is signed by the above drivers, with the
exception of the Colliers.
$85 shipped in tube
$170 matted, framed, and shipped
|
|
275 signed and
number lithographs
image size 10 1/4” x 12 3/4"
Bob Holbert's
Porsche RS narrowly leads Paul O'Shea's Mercedes Benz 300 SL into
the Esses during one of the earliest races on the present Watkins
Glen circuit. There were two hotly contested races that weekend
between these drivers which resulted in one victory for each. A
scenic background including Seneca Lake demonstrates the beauty of
this now world famous view.
$55 shipped in tube
$150 matted, framed, and shipped
|
|
275 signed and
number lithographs
image size 10 1/2” x 16"
A handful of ZO-6
1963 Corvette Stingrays were built and campaigned in Southern
California in late '62 and '63 at Dodger Stadium, Riverside Raceway,
and other locations. Their primary competition was from the new
Shelby AC Cobras. It was an exciting time for fans of these American
V-8s as drivers such as Bob Bondurant (#614), Ken Miles (#298), and
Dave Mac Donald (#00), ran very close races amid unlikely
surroundings such as the curbs in the scene pictured here.
$55 shipped in tube
$150 matted, framed, and shipped
|
|
275 signed and
number lithographs
image size 10 1/2” x 16"
July 25, 1921
marked the first of only two occasions when an American car and
driver won an international Grand Prix. Jimmy Murphy's Duesenberg
averaged 78.1 miles per hour for the 321 mile race, which lasted
over four hours. It was run on the venue which would soon become
famous for Les Vingt-Quatre Heures du Mans in an extended
version which measured 10.75 miles around. In this print, Murphy and
mechanic Ernie Olsen speed through the very rocky White House turn.
$60 shipped in
tube
$150 matted, framed, and shipped
Proceeds shared
with the International Motor Racing Research Center, Watkins Glen,
NY.
|
|
275 signed and
number lithographs
image size 9 1/4” x 17
Three C4-R's were
entered by the Cunningham team for the June 14th running of the 1952
24 hours race. In the dramatic moment shown, the flag has dropped at
4 P.M. and the drivers are running to start their cars. Car #1 was
driven by Briggs Cunningham and Bill Spear. Car #2, the C4R-K coupe,
was driven by Phil Walters and Duane Carter. John Fitch and George
Rice piloted the #3 Cunningham. The #2 and #3 cars suffered valve
problems during the race, failing to complete the distance, while
the #1 car ended up finishing a very credible 4th overall.
$50 shipped in tube
$150 matted, framed, and shipped
|
|
275 signed and
number lithographs
image size11 1/2” x 15
Jim Clark, in Colin
Chapman's Lotus 25, is shown just ahead of the BRM's of Graham Hill
and Richie Ginther during the early stages of the 1962 United States
Grand Prix at Watkins Glen. After swapping the lead, Clark and Hill
continued to Championship for Drivers, however, went to Hill that
year. Jim Clark was to enjoy his first World Championship the
following year.
$50 shipped in tube
$150 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 15” x 18 3/4"
Late afternoon sunlight streaks through autumn foliage at the Stone
Bridge turn during the opening lap of the 1952 Grand Prix. Briggs Cunningham and
John Fitch in C4- Rs lead Fred Wacker's Allard. The race was soon halted,
making this the last official lap of competition on the original 6.6 mile circuit.
$75 shipped in tube
$170 matted, framed, and shipped
|
|
400
signed and numbered lithographs
image size approx. 16" x 20"
Ned Jarrett’s Ford Galaxie leads
Richard Petty’s Plymouth Belvedere into “The 90” during the
early stages of the Watkins Glen NASCAR Grand National event held on
July 19th, 1964. Jarrett led this race for many laps and had an
excellent chance of winning until mechanical problems slowed his
car.
Richard
Petty drove among the leaders until a crash on lap 10 sidelined him
on the back straight. Then Richard’s father Lee Petty, in his
final NASCAR appearance, stopped and gave his son a ride back to the
pits. Richard then took over David Pearson’s Dodge after it’s
driver pitted, suffering from glass in his eye. Petty drove
Pearson’s car to a sixth place finish.
The
cars of Lee Petty and David Pearsons can be seen in the background
along with Brigs Cunningham’s Ford Galaxie driven by Walt Hansgen,
which finished third.
$75 in tube
$170 matted, framed, and shipped
|
|
275
signed and numbered lithographs
image size approx. 16" x 20"
Bill Milliken’s Bugatti 35A goes wide as he enters the village on
lap 4 of the 1948 Watkins Glen Grand Prix. Moments later, he lost
control and overturned. Milliken emerged from the car unhurt and the
corner was named in his honor.
Each print is signed by Bill Milliken.
subject of
20" x 16" mural, Franklin St., Watkins Glen
$75 shipped in tube
$170 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 10 1/4” x 12 3/4"
Don Nichol's Shadow DN-4s, driven by George Follmer and Jackie
Oliver, triumphed in the final year of the original Can-Am series.
At Watkins Glen, Follmer set the fastest qualifying time and
dominated Saturday's sprint race until a shock absorber broke.
Oliver won the 33 lap event the following day. Watkins Glen fans
were again treated to the mighty Shadowswhen George Follmer won the
3-car Shadow Challenge which preceded the United States Grand Prix a
few months later. Under a hot July sky, Jackie Oliver and George
Follmer lead Scooter Patrick's McLaren M20. The cars are depicted in
" the heel " of the boot and finished in the order shown .
This was to be the final race of the original Can -Am series.
All prints signed by
Robert Gillespie and George Follmer
$50 shipped in tube
$150 matted, framed, and shipped
|
|
image size 10 1/4” x 12 3/4"
Fred German, founder of Race Communications Association (RCA),
accompanied by fellow RCA veteran Myron “Whitey” Bennett is
depicted working a safety station during the 1964 U.S. Grand Prix at
Watkins Glen. Jim Clark’s Lotus, Graham Hill’s B.R.M, and Dan
Gurney’s Brabham duel past the station while past Glen heroes
Miles and Sam Collier race in the clouds. It was Sam Collier’s
fatal accident in 1950 that inspired Fred to organize RCA in 1951,
pioneering the first communication system in American road racing
history and setting the standard for safety in auto racing.
$50 shipped in tube
$150 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 15” x 18 3/4"
A trio of MGTC's round Archie
Smith's corner in the 8 lap 1948 Grand Prix. Sam Collier's
supercharged 1946 machine minus headlights and fenders leads Miles
Collier's 1947 car as Phil Stiles trails in a normally aspirated
1948 TC. The cars finished 4th, 5th, and 6th respectively.
$75 shipped in tube
$170 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 15” x 18 3/4"
Miles Collier and Briggs Cunningham charge down Franklin Street for
the dramatic finish of the 1949 Grand Prix. Collier's Ardent
Alligator, a 1929 Riley powered by a Ford flathead V-8 passed
Cunningham's Ferrari 166 in the downhill segment as the cars
approached the villiage on the final lap.
$75 shipped in tube
$170 matted, framed, and shipped
|
|
Luigi Chinetti gets his Ferrari
340 Mexico “on the marbles” while a Mercedes-Benz 300SL takes
the inside line. Chinetti’s Ferrari finished third while the well
prepared Mercedes-Benz team took the first two positions in the
three day dash through Mexico.
$75 shipped in tube
$170 matted, framed, and shipped
|
|
George
Huntoon breaks loose in his MG N Magnette turning onto Bolton Ave.
during the early stages of the “round the houses” event. Bill
Dewart presses hard followed by Dan Hamilton, both in MGT/A. Huntoon
went on to finish second “seeming to be continuously sideways”,
according to a newspaper account.
$75 shipped in tube
$170 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 15” x 18 3/4"
George Weaver's 1936 Maserati R-1 leads Frank Griswold's 1938 Alfa
Romeo 2900 B and Briggs Cunningham's 1939 Bu-Merc around what would
later be known as Milliken's corner. On October 2nd, 1948, Griswold
won this 4 lap event and the 8 lap Grand Prix.
$75 shipped in tube
$170 matted, framed, and shipped
|
|
This dramatic
illustration accurately depicts the positions of Clark, Moss,
Brabham, Hill, McLaren,Surtees, Gurney, and eventual race winner
Ireland soon after the green flag was waved by Tex Hopkins. This
race was the first of twenty U.S. Grands Prix held at the Glen.
$75 shipped in tube
$170 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 10 1/4” x 12 3/4"
Jaguar C-Type
All prints also signed by John Fitch
$50 shipped in tube
$150 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 10 1/4” x 12 3/4"
150 of these signed and
numbered prints have also been signed by Dr. Dick Thompson and Angie
Pabst
$50 shipped in tube
$150 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 10 1/4” x 12 3/4"
The M.G.s of Denver Cornett and Ben Harris lead the field as Nils
Mickelson's green flag drops on Franklin Street. September 20th,
1952 would mark the last day of racing on the original 6.6 mile
Watkins Glen circuit. Eventual race winner Bill Spear is shown in
the red OSCA as well as the LeMans Nash-Healeywhich is on display
for the crowd. Included with the print is a written description of a
lap around Watkins Glen with Denver Cornett.
All prints signed by
Denver Cornett and Robert Gillespie
$50 shipped in tube
$150 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 10 1/2” x 16"
Fall colors dominate the landscape while Sherwood Johnston, in
Briggs Cunningham's Jaguar D-Type, sweeps from Wedgewood Road onto
Bronson Hill Road. Johnston is chased by the Maseratis of Bill Spear
and Bill Lloyd. These cars finished the race in the order shown
here. Fred Wacker can be seen cresting the hill in the C-4RK.
This interim Watkins Glen circuit consisted of 4.6miles of
extensively reworked country roads. It was used from 1953 through
1956.
All prints signed by
Robert Gillespie
$50 shipped in tube
$150 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 10 1/4” x 12 3/4"
Alex Miller Mini-Cooper
$50 shipped in
tube
$150 matted, framed, and shipped
|
|
275 signed and numbered lithographs
image size 15” x 18 1/2"
Celebrating Phil Walter's victory
in the C4R, this is a companion piece to
Cunninghams at Stone Bridge 1952.
subject of 18" x
21" mural, Franklin St., Watkins Glen
$75 Shipped in tube
$170 matted, framed, and shipped
|
|
Celebrating Corvette's overall victory in the 2001 Daytona 24 hours.
Allprints individually signed by Ron Fellows and Robert Gillespie
$50 shipped in tube
$150 matted, framed, and shipped
|
|
|
|
|